Latin American music was not really considered before Argentinian composer Astor Piazzolla (1921- 1992), who was the first composer that incorporated improvisation in tango, but his music is different than jazz, he only took the idea of improvisation when he lived in New York from 1924 to 1937 and applied it to his music. (Artiom Shishkov, violin | Dima Tsypkin, cello | Sergey Smirnov, piano) Piazzolla four seasons of Buenos Aires movements: Listen to Piazzolla’s four season full arranged for piano trio by José Bragato. When you listen to Piazzolla’s Four Season work, You can feel Argentinean warmth, passion and temperament meet surroundings with lower temperatures.
It has been said that you can see Buenos Aires while listening to Astor Piazzolla’s music. Through four orchestral works, Piazzolla’s tango compositions depict the opposite seasons and moods of Buenos Aires, the big city on the banks of the Río de la Plata, where this music originated. Otoño (Autumn) was written in 1969, and Primavera and Invierno (Spring and Winter) in 1970. Piazzolla also immediately created an arrangement of the piece for Aníbal Troilo traditional tango orchestra that was recorded in 1967. First, he composed Verano Porteño (Summer movement) in 1965 as incidental music for the play Melenita de Oro by Alberto Rodríguez Muñoz. Piazzolla’s Four Seasons are a series of single tango movements with several references to Vivaldi’s famous work, were not originally conceived as a suite. Piazzolla’s set of four tunes evoking each time of year, composed in the late 1960s for his quintet of piano, bandoneón, violin, electric guitar, and bass (he often used one of the movements to open his concerts). Argentinian composer Astor Piazzolla applied the same idea to Buenos Aires in a set of tangos, called the Cuatro Estaciones Porteñas, The adjective “Porteñas” refers to Buenos Aires, hence the English title of The Four Seasons of Buenos Aires. It’s not only Vivaldi who composed music for the 4 seasons in the year other composers did The same thing.
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